I've finally finished my house linoprint and called it Inside Out.  I've been thinking about how we collect and store things safely in our homes, like squirrels with our nuts.  However, it's all very ephemeral.  Even if no
horrible natural disaster befalls us, our houses will someday crumble and our things will disperse.  It's odd because our homes seem so solid.

I used my new mangle (clothes wringer)  to print most of these.  It works surprisingly well!

I'm starting a new lino print involving the idea of home and what it means to us.  I recently saw pictures of the abandoned automotive factories and houses in Detroit and was amazed.  We build these structures and boxes to keep us safe... to help us survive, but they are so temporary.  I sometimes think of all the little things we keep in our houses that we don't even think about.  Someday all our carefully organized items will blow away or maybe they'll end up in a museum, but the structures we create won't last.  I once heard a  lecture from a scientist who had a stroke which temporarily wiped out the left side of her brain.  Although she couldn't speak, she felt as if all barriers were gone and she was one with everything.  Everything was just flowing molecules.   The impermanence and artificiality of the walls  we put up fascinates me.  Are they cages or defenses?  Are they personal or public?
I don't really know where this is going, but I haven't blogged in a while and it's good to write down my thoughts.
Maybe by the time I finish carving this  I'll have a grand idea... but probably just more questions.

I'm always on the lookout for new techniques and I recently  found one that made me drop my carving tools (temporarily!) and pick up my exacto knife.  The effects looked so amazing that I had to give it a try right away.  This technique is only new to me.  It's actually been around for years and is called "Pochoir" which is french for stencil.    I've used masks and stencils before, but never like this!  The inspiration came from a youtube video I found on Pinterest and below is the video.
On the right are the pieces of bristol board that I cut out to use as masks. These are then inked, put on a piece of acrylic, covered with paper and then put in the press.  I was very pleased with the way my jack bottle press performed.   I used midcentury modern shapes to create these monoprints which I call, "Chillin".  I picture this girl chillin at home with her cat, her lava lamp and her tunes in her ultra chic mid century modern way.  I get so excited when I'm trying something new that I make lots of mistakes.  Luckily no one was home to hear the screams from my basement studio when I filled a giant tub with water to soak my paper only to find it had a huge crack in the bottom.  Water spilled everywhere and flowed under the washing machine where apparently a huge spider lived.  He emerged probably more scared than I, and with good reason because he is no more.  Given all the excitement it's a little strange that I called this print Chillin.  Hopefully the final prints do not convey my fear of spiders or the frenzy of enthusiasm which was me as I rolled ink and tore blotted newsprint everywhere.  I am definitely going to try this technique again, perhaps in a calmer more organized state of mind.  I emerged with 6 new prints.  They are all different.  After the sixth print, the bristol board was starting to disintegrate so there will never be any more of this particular edition.  These will be for sale in my Etsy store as soon as I can get them uploaded.

My poor neglected site has had a makeover.  I've gone from white to black.  I felt it needed a change after so many weeks of being ignored.  It wasn't that I wasn't doing any art.  It was just that when I'm creating and working at my part-time job, I tend to put this website on the back burner.  I hope you like the new look.  I'm sure I'll be tinkering with it endlessly.   However, in the hopes of getting something uploaded, I'm forging ahead.

Here are some of my newest prints!  I always look at them afterwards and think of ways I would like to change them. This can drive me crazy!  I could work on one theme or idea for years, but I have too many other ideas that I would like to start.  So, like this website, sometimes I just have to move on.  All of these are now listed in my Etsy shop and I have more on the way which I will share soon.  I've missed this blog.  I'll try and not leave it  for so long again.

When I was little, I could always imagine little worlds, towns, houses in all the mundane things around me.  Some rocks by the road could be a troll village.  An old stump could be someone’s home.  Perhaps, when I’m not looking the breakfast table comes alive!  Now that I’m older I try to recapture that way of thinking.  I think something is lost when we stop being able to imagine things in different ways.  And so, my fork has become a sort of elk, a slice of tangerine is the sun and more forks have become trees.


I've been experimenting with different techniques, layering ink, different papers  and in this print I added some watercolour.  I could never do this before with the Speedball inks unless I used oil based ink which was a pain to clean off the plate.  But my Daniel Smith inks are set when dry so I can paint over them.  Yay!

I have a small fascination for old, or "vintage" kitchen utensils.  I think it's because when you see them you are transported back to some earlier sepia coloured time period when everything was more relaxed and people didn't have computers or cell phones and instead made cakes and pies.  J K  Rowling had it right when she wrote about the portkey's.  Touch them and you'd be sucked to another place.  They were a little more drastic than the strawberry fork, but the wizarding world is like that.  Once upon a time, people used special two or three pronged strawberry forks to pierce the strawberry before dipping it in sugar and whipped cream.  I imagine everyone would be dressed elegantly when using these forks, the conversation would be witty and the vocabulary impressive.

However, snapping back to reality here at my computer.  This is a reduction linocut which has five colours of ink on the lovely green Tatami paper and six on the brown stonehenge.  I'm still experimenting with my new Daniel Smith inks and I made the great discovery when I was trying to get an orange which would remind me of a creamsicle that you can mix Daniel Smith with Speedball ink!  This is going to allow me a huge variety of colours and is great info for any printmakers out there.  I only made 8 of these.  They are now available in my Etsy : )

This is the view from my front door today.  If you're a great fan of grey and neutral tones you may appreciate this.  I however, need some colour therapy to cope with winter.  I don't really mind the cold so much as the lack of colour.  I'm sure I could learn a lot from the stark shapes and negative spaces of a Canadian winter, but I'd rather look at really bright mittens and scarves.  Thankfully the bus I drive is bright yellow.  Have you noticed how much more colour there is when the sun shines? To combat the weather, I've been hiding in my basement printmaking.  I've reprinted "Everyday Magic" on brown stonehenge paper and a steel blue Japanese Tatami paper.  Which colour combination do you like best?  

I've also finished another new print and I'm just waiting for it to dry before photographing it.  More colour on the way!  


“Colour is a power which directly influences the soul.”
                                                                    ~Wassily Kandinsky

It's true.   Colour is the best medicine....that and getting out for a little exercise once in a while, but colour is much more fun!

After months of reading the pros and cons of various printing inks I finally took the plunge and ordered these Daniel Smith water soluble relief inks and I'm so thrilled with them.  They come in large tubes so you don't have to worry about a film forming on the top.  They dry permanent but wash up with soap and water.  The transparent medium allows me to thin the colours so they layer wonderfully.  These are my first experiments.  They'rere hot off the press and I haven't named them yet.  I've suppose I should think of something more inventive than "Bowls".  But right now I'm going back to the studio because I've finally found my one true ink and I've got that thrill you get from a new relationship!

Here are two more collages.  I must admit that making these is just too much fun.  It kind of like  shopping without the hassle of going to a store.  You pick out some of your favorite colours and patterns and then try and see how they fit together.  When they work together there is an "Ahaa!" moment.  If you were in a store you would buy this outfit, but in collage making, you reach for the glue.   Once it's all glued you have a new outfit for your wall!  These look particularly good wrapped in an Ikea frame.  I hope you like them : )  They are both now in my Etsy shop.

I like to paint from time to time in between making prints because to me it's such a different and almost opposite process.  When I make a print, I'm always thinkingthinkingthinking.  I need to be careful of the registration and the ink has to be the right consistancy,  not applied to thick or too thin and consider how the different colours will look when they overlap etc etc.  When I start to paint, I carry all this thinking with me, but slowly I try to get let it go.  I want to paint like a kindergartner with no worries about realism, only joy in the colours and the feeling of the paint.  It's not as easy as it sounds.  I love painters who appear to be able to let go of their thinking brains like Mindy Lacefield, Michelle Brown and Flora Bowley.  It takes a lot of effort to break the rules and get that effortless look!  My left brain is already dying to get on with the next print, planning happily away.  It's not that there isn't a ton of creativity in printmaking, I just find that acrylic paint is so forgiving.  I can play without that fearful voice saying, "don't do that, you'll wreck it!"  It's good to exercise the right brain and hopefully carry some of that rule breaking into my printmaking.